Hew Locke
Souvenir 8 (Edward VII in Masonic Regalia), 2019
Mixed media on antique Parian ware
53 x 31 x 32 cm
20 7/8 x 12 1/4 x 12 5/8 in
20 7/8 x 12 1/4 x 12 5/8 in
Hew Locke (b. Edinburgh, UK, 1959) spent his formative years (1966-80) in Guyana before returning to the UK to complete an MA in Sculpture at Royal College of Art (1994)....
Hew Locke (b. Edinburgh, UK, 1959) spent his formative years (1966-80) in Guyana before returning to the UK to complete an MA in Sculpture at Royal College of Art (1994).
Locke’s practice addresses the symbolism of statuary, monarchy and ships; how different cultures fashion their identities through visual symbols of authority; and how these representations are altered by the passage of time. Throughout an extensive and complex practice, Locke remains dedicated to illuminating histories – highlighting the relevance of the past within the context of contemporary culture and politics. Through various motifs, Locke reassesses the figureheads and imagery that represent nationhood. His critique of existing power structures is subtle and open-ended, encouraging the viewer to look more closely.
Across his work, Locke’s ability to fuse existing material and historic sources with his own political or cultural concerns, whether via visual juxtapositions or through the re-working of a pre-existing object or photograph, leads to witty and innovative amalgamations of history and modernity. This layering of time is accompanied by a unique merging of influences from the artist’s native Guyana and London, where Locke now lives and works, leading to richly textured, visually vibrant pieces that stand on a crossroad of histories, cultures and media.
In Locke’s most recent series, Souvenirs (2018-2019), busts of Royal family members are encrusted with handmade and found materials. The statues are made of Parian – a material that imitates marble, invented for the Great Exhibition in the 1850s by Stoke-on-Trent company, Copeland. The development of Parian was revelatory in the mass production of statuary, as the works could be made with a mould, making them accessible for the public to buy (all the busts are originals from the 1800s or made from the original mould). Here, Locke has taken the popular and now rarefied Royal souvenirs and adorned the heads with jewels, crowns, royal crests, skulls, military medals and metal masks.
Souvenirs (2018-2019) draws attention to the stories behind the figures, not destroying them but instead illuminating a past that is often glossed over. The pertinent work leads to a greater understanding of the legacies of iconography and are a timely contribution to a conversation about the histories and meanings of public monuments and statues.
Hew Locke states that the busts are:
‘weighed down by the literal burden of history and this goes back to my idea of how a nation creates itself, what stories it sells to itself and how this relates to ideas of Britain and its history that are weighing down the minds of people today.’
Hannah Clugston wrote in the Guardian:
‘Each individual bust reveals the history and legacy of the British royal family – the good and the bad. Some of the nuances of these items will remain hidden to anyone but Locke, who has spent his career constructing, collecting and researching. But it doesn’t really matter, because the final pieces are exquisitely beautiful, with enough detail to keep even casual historians captivated.’
A selection of Souvenirs (2018-2019) are currently on display in Locke’s major touring exhibition Here’s the Thing which is currently in its second iteration at Kemper Museum of Contemporary Art, Kansas City, Missouri, USA (through 5th January). The exhibition originated at Ikon Gallery, Birmingham (March – June 2019) and will tour to Colby College Museum of Art, Maine, USA (20th February – 7 June 2020).
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Edward VII (Albert Edward; 9 November 1841 – 6 May 1910) was King of the United Kingdom of Great Britain and Ireland and Emperor of India from 22 January 1901 until his death in 1910. He was the the eldest son of Queen Victoria and Prince Albert of Saxe-Coburg and Gotha.
Depicted here is Edward in the later stage of his life, after his coronation. In Hew Locke’s words - he is “weighed down with history” - adorned with symbols referencing his royal heritage, symbols of the British Empire as well as the objects that refer to the Empire’s legacy, including a poignant Manilla necklace hinting at the involvement of the British in the transatlantic slave trade.
Materials used include: original antique parian ware, semi precious stones and beads, brass, aluminium, old coins and medals and military badges (copper and other metals), textile, rope. Usually there is no adhesive used in the Souvenir series - all elements are wired on with brass wire or black-coloured wire, or sewn down with thread.
Locke’s practice addresses the symbolism of statuary, monarchy and ships; how different cultures fashion their identities through visual symbols of authority; and how these representations are altered by the passage of time. Throughout an extensive and complex practice, Locke remains dedicated to illuminating histories – highlighting the relevance of the past within the context of contemporary culture and politics. Through various motifs, Locke reassesses the figureheads and imagery that represent nationhood. His critique of existing power structures is subtle and open-ended, encouraging the viewer to look more closely.
Across his work, Locke’s ability to fuse existing material and historic sources with his own political or cultural concerns, whether via visual juxtapositions or through the re-working of a pre-existing object or photograph, leads to witty and innovative amalgamations of history and modernity. This layering of time is accompanied by a unique merging of influences from the artist’s native Guyana and London, where Locke now lives and works, leading to richly textured, visually vibrant pieces that stand on a crossroad of histories, cultures and media.
In Locke’s most recent series, Souvenirs (2018-2019), busts of Royal family members are encrusted with handmade and found materials. The statues are made of Parian – a material that imitates marble, invented for the Great Exhibition in the 1850s by Stoke-on-Trent company, Copeland. The development of Parian was revelatory in the mass production of statuary, as the works could be made with a mould, making them accessible for the public to buy (all the busts are originals from the 1800s or made from the original mould). Here, Locke has taken the popular and now rarefied Royal souvenirs and adorned the heads with jewels, crowns, royal crests, skulls, military medals and metal masks.
Souvenirs (2018-2019) draws attention to the stories behind the figures, not destroying them but instead illuminating a past that is often glossed over. The pertinent work leads to a greater understanding of the legacies of iconography and are a timely contribution to a conversation about the histories and meanings of public monuments and statues.
Hew Locke states that the busts are:
‘weighed down by the literal burden of history and this goes back to my idea of how a nation creates itself, what stories it sells to itself and how this relates to ideas of Britain and its history that are weighing down the minds of people today.’
Hannah Clugston wrote in the Guardian:
‘Each individual bust reveals the history and legacy of the British royal family – the good and the bad. Some of the nuances of these items will remain hidden to anyone but Locke, who has spent his career constructing, collecting and researching. But it doesn’t really matter, because the final pieces are exquisitely beautiful, with enough detail to keep even casual historians captivated.’
A selection of Souvenirs (2018-2019) are currently on display in Locke’s major touring exhibition Here’s the Thing which is currently in its second iteration at Kemper Museum of Contemporary Art, Kansas City, Missouri, USA (through 5th January). The exhibition originated at Ikon Gallery, Birmingham (March – June 2019) and will tour to Colby College Museum of Art, Maine, USA (20th February – 7 June 2020).
____________
Edward VII (Albert Edward; 9 November 1841 – 6 May 1910) was King of the United Kingdom of Great Britain and Ireland and Emperor of India from 22 January 1901 until his death in 1910. He was the the eldest son of Queen Victoria and Prince Albert of Saxe-Coburg and Gotha.
Depicted here is Edward in the later stage of his life, after his coronation. In Hew Locke’s words - he is “weighed down with history” - adorned with symbols referencing his royal heritage, symbols of the British Empire as well as the objects that refer to the Empire’s legacy, including a poignant Manilla necklace hinting at the involvement of the British in the transatlantic slave trade.
Materials used include: original antique parian ware, semi precious stones and beads, brass, aluminium, old coins and medals and military badges (copper and other metals), textile, rope. Usually there is no adhesive used in the Souvenir series - all elements are wired on with brass wire or black-coloured wire, or sewn down with thread.