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Ebony G. Patterson

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Ebony G. Patterson, ....in the swallowing...she carries the whole...the hole, 2021-2022

Ebony G. Patterson

....in the swallowing...she carries the whole...the hole, 2021-2022
Hand-cut jacquard woven photo tapestry with appliqué, fabric, plastic, beads, feathers, and wood mounted on vinyl wallpaper in two (2) parts
325.1 x 556.3 x 38.1 cm
128 x 219 x 15 in
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%3Cdiv%20class%3D%22artist%22%3EEbony%20G.%20Patterson%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3E....in%20the%20swallowing...she%20carries%20the%20whole...the%20hole%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2021-2022%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EHand-cut%20jacquard%20woven%20photo%20tapestry%20with%20appliqu%C3%A9%2C%20fabric%2C%20plastic%2C%20beads%2C%20feathers%2C%20and%20wood%20mounted%20on%20vinyl%20wallpaper%20in%20two%20%282%29%20parts%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E325.1%20x%20556.3%20x%2038.1%20cm%3Cbr/%3E%0A128%20x%20219%20x%2015%20in%3C/div%3E

Further images

  • (View a larger image of thumbnail 1 ) Ebony G. Patterson, ....in the swallowing...she carries the whole...the hole, 2021-2022
  • ....in the swallowing...she carries the whole...the hole
....in the swallowing...she carries the whole...the hole (2021-2022) is an epic diptych tapestry, rich and densely layered with detail. Ornamental features – glitter, strings of beads, appliquéd fabrics – are...
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....in the swallowing...she carries the whole...the hole (2021-2022) is an epic diptych tapestry, rich and densely layered with detail. Ornamental features – glitter, strings of beads, appliquéd fabrics – are affixed to the textured surface, a beauty trap that Patterson sets for the viewer.

Installed over a custom-designed wallpaper, the wall-based installation bursts with flora and fauna. Disguised among these landscapes - plants, spiders, cockroaches, headless snakes, monarch butterflies, a single raven – are the fragmented figures of Black women in lament. Although Patterson has been exploring the representation of mourning and its intersection with race and gender for many years, the experience of the pandemic and successive lockdowns – during which she was unable to return from the States to visit her family in her home country of Jamaica – has deepened the artist’s personal connection to the subject.
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Exhibitions

...to kiss a flower goodbye..., Hales New York, 2022

Literature

Ksenia Soboleva, Ebony G. Patterson: …to kiss a flower goodbye…, Brooklyn Rail, 1 June 2022: https://brooklynrail.org/2022/06/artseen/Ebony-G-Patterson-to-kiss-a-flower-goodbye
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