Artworks

  • Gladys Nilsson, A Window #3, 2014
    A Window #3
  • Vent provenant du Nord, Pays du Sud, Pillage à huis Clos
    Vent provenant du Nord, Pays du Sud, Pillage à huis Clos
  • Ant Queen/Cleopatra
    Ant Queen/Cleopatra
  • John Hoyland, The Bird 11.8.02, 2002
    The Bird 11.8.02
  • From Giovanni di Paolo (1)
    From Giovanni di Paolo (1)
  • Sunil Gupta, Indira's Vision, 1987
    Indira's Vision
  • Basil Beattie, Juggler II, 1987
    Juggler II
  • Virginia Jaramillo, Point Omega, 1973-2018
    Point Omega
  • Jeff Keen, Photoplays, 1972
    Photoplays
  • Anwar Jalal Shemza, Composition in Green and Black, 1965
    Composition in Green and Black
  • Jeff Keen, Parachutes Fail to Open, c. 1971
    Parachutes Fail to Open
  • Asteraceae
    Asteraceae
  • Westdean Gardens No 2
    Westdean Gardens No 2
  • Sharp Tongue; Too Much Sadness
    Sharp Tongue; Too Much Sadness
  • A mid-size painting with a wild palette – greens, pinks, blues, reds, purples and a brown so deep it's almost black. In the foreground, bottom right, hovers a brushy green breast, hinting at a body from a first person perspective, a woman looking down. With time, one might interpret the piece as an abstracted image of this body squatting, stepping upon her own reflection. Or, one could travel through the piece following winding oil stick scribbles, which begin low, gather in the center and splinter towards the top. These quick marks describe arms, thighs, the mysterious butt of a hammer... Then, top center, a small foot steps on its own bottom, vibrating as the lines that describe it shiver out of sync with its shapes. Just to the side, an acidic green face is hiding, an ear and part of a blue eye creeping out, looking at you.
    Green screen
  • Hard Seeds
    Hard Seeds
  • Gray Wielebinski, Iron Wrought, 2022
    Iron Wrought
  • Trace of the Father II
    Trace of the Father II
  • Hew Locke, Souvenir 10 (Princess Alexandra), 2019
    Souvenir 10 (Princess Alexandra)
  • Ebony G. Patterson, …a nest above, checkered shoes, beyond a green felt hat, candles no longer lit in garden in bloom, 2019
    …a nest above, checkered shoes, beyond a green felt hat, candles no longer lit in garden in bloom
  • Rachael Champion, Blackwall Reach, 2018
    Blackwall Reach
  • Andrea Geyer, Constellations (Jessie Redmon Fauset), 2018
    Constellations (Jessie Redmon Fauset)
  • Virginia Jaramillo Site No.3: 51.1789° N, 1.8262° W, 2018
    Site No.3: 51.1789° N, 1.8262° W
  • Andrew Bick, Variant t-s [detail], STORMY, 2016-2018
    Variant t-s [detail], STORMY
  • Trenton Doyle Hancock, I Know Just How You Feel, 2015
    I Know Just How You Feel
  • Gladys Nilsson, A Window #5, 2014
    A Window #5
  • LJ Roberts, David John Sokolowski and Michael Tikili, 2014
    David John Sokolowski and Michael Tikili
  • Omar Ba Photo de Famille, 2014
    Photo de Famille
  • Jane Wilbraham, Torched, 2012
    Torched
  • Richard Slee, Hammers, 2010-2018
    Hammers
  • John Hoyland, Falls 28.3.2001, 2001
    Falls 28.3.2001
  • Tessa Boffin, The Sailor and the Showgirl, 1993
    The Sailor and the Showgirl
  • Ken Kiff, Untitled - Large Sun & Man, 1987-1988
    Untitled - Large Sun & Man
  • Sunil Gupta, India Gate, 1987
    India Gate
  • Basil Beattie, Legend, 1986
    Legend
  • Anwar Jalal Shemza, Eclipse, 1962
    Eclipse
  • Installation view of Chitra Ganesh, Astral Dance, Contemporary Calgary, 13 October 2022 – 29 January 2023
    Installation view of Chitra Ganesh, Astral Dance, Contemporary Calgary, 13 October 2022 – 29 January 2023
  • Sebastiaan Bremer, Σπήλαιο (Spilaio) Hales London, 2015
    Σπήλαιο (Spilaio)
  • Jeff Keen, Further Adventures of the Breathless Investigator, c. 1970s
    Further Adventures of the Breathless Investigator
  • Clockwork Records (Black Mountain)
    Clockwork Records (Black Mountain)
  • Jordan Ann Craig Too Damn Pretty to Look that Sorry, 2024
    Too Damn Pretty to Look that Sorry
  • Gray Wielebinski, All The Wounds You Could Get, 2022
    All The Wounds You Could Get
  • Martyn Cross, Surfacing, 2022
    Surfacing
  • A tall canvas composed of swooping motion and contrasting diagonals. A streak of crimson down the left side and across the bottom frame an inset brighter zone, filled with lines, imagery and washy poolwater blue. This dreamy zone is cut with a large sharp shape, painted economically with shadows that make it pop into vivid three dimensions. The shape could be the top of a hammer, the turned leg of a wooden chair or the familiar stretched fabric of pulled-down panties observed from above. Through a hole in the shape, a small cartoonish face calls out, one closed eye, little nostrils and an open mouth with distinctly pink, parted lips. Whatever noise she's emitting travels through the painting, reverberating in hidden body parts - a hand gripping crotch, foot curling backwards. All the while a wall of drips giving the images a sense of sliding downwards as it rises up.
    Voices carry
  • Hew Locke, Souvenir 8 (Edward VII in Masonic Regalia), 2019
    Souvenir 8 (Edward VII in Masonic Regalia)
  • Ebony G. Patterson, …below the crows, a blue purse sits between the blades, shoes among the petals, a cockerel comes to witness…, 2019
    …below the crows, a blue purse sits between the blades, shoes among the petals, a cockerel comes to witness…
  • Rachael Champion, Blackwall Reach, 2018
    Blackwall Reach
  • Andrea Geyer, Constellations (Alice B. Toklas and Gertrude Stein with Pepe and Basket), 2018
    Constellations (Alice B. Toklas and Gertrude Stein with Pepe and Basket)
  • Okpo Shipyard
    Okpo Shipyard
  • Andrew Bick, Variant T-S – OGVDS [compendium] #4, 2018
    Variant T-S – OGVDS [compendium] #4
  • LJ Roberts Alex Fialho and Esther McGowan in front of Zoe Leonard’s I want a president, 2017-2018
    Alex Fialho and Esther McGowan in front of Zoe Leonard’s I want a president
  • Gladys Nilsson, A Window #6, 2014
    A Window #6
  • Omar Ba, Champ de Riz à Kidal, 2014
    Champ de Riz à Kidal
  • Trenton Doyle Hancock, I Want to Be at the Meeting After the Separation, 2014
    I Want to Be at the Meeting After the Separation
  • Michael Smith, Avuncular Quest, 2012
    Avuncular Quest
  • Richard Slee, Rope Rain, 2010/2018
    Rope Rain
  • John Hoyland, Jump 21.5.01, 2001
    Jump 21.5.01
  • A20 (1) Sun with Tree and Shadow
    A20 (1) Sun with Tree and Shadow
  • Mary Webb, Spring colour study 18, 1995
    Spring colour study 18
  • Basil Beattie, Yielding Door I, 1986-1987
    Yielding Door I
  • Sunil Gupta, Julian & Ian, 1985
    Julian & Ian
  • Anwar Jalal Shemza, Advancing & receding in yellow ochre on olive green, 1963
    Advancing & receding in yellow ochre on olive green
  • Installation View, Chitra Ganesh, Hawaii Triennial, 18 February - 8 May 2020, Bishop Museum, Honolulu, HI
    Installation View, Chitra Ganesh, Hawaii Triennial, 18 February - 8 May 2020, Bishop Museum, Honolulu, HI
  • Sebastiaan Bremer Σπήλαιο (Spilaio) Hales London, 2015, 3 February - 21 March
    Σπήλαιο (Spilaio)
  • Ken Kiff, Untitled - Bird, Man, Tree, Cloud, c. 1987-1988
    Untitled - Bird, Man, Tree, Cloud
  • The Space Between The Clouds and the Horizon
    The Space Between The Clouds and the Horizon
  • Haroun Hayward, Craigs Birch Winter, No. 11, 2023
    Craigs Birch Winter, No. 11
  • Gray Wielebinski, Closet Champion, 2022
    Closet Champion
  • In this vertical piece, slippery colors form a watery background, dripping into each other and appearing almost woven. Two hands guide us into this abstract interior, one large one climbing up from below, one smaller down from above. Each has its pointer finger hooked under a black string, the net. Drawn directly with dark oil stick lines, this skinny net spreads in a chain-link pattern, contorting to bodily curves it encircles upon its way. A process driven, less representational piece within the group, this painting hints at feminine curves (an ass, an elbow) that were painted then scraped over with pale greens and purples. The foreground shifts to an earthier palette, and as if seen through mist here our doubled bodies reflect earth and sky.
    Safety net
  • Martyn Cross, Telluric Symphony, 2022
    Telluric Symphony
  • The Forrest
    The Forrest
  • The Terrarium
    The Terrarium
  • LJ Roberts, Sarah Zapata in her Red Hook, Brooklyn Studio,, 2019-2020
    Sarah Zapata in her Red Hook, Brooklyn Studio
  • Ebony G. Patterson, ...were, 2019
    ...were
  • Hew Locke, Souvenir 2 (Edward VII in Masonic Regalia), 2019
    Souvenir 2 (Edward VII in Masonic Regalia)
  • Rachael Champion, Blackwall Reach, 2018
    Blackwall Reach
  • Andrea Geyer, Constellations (Carrie Stettheimer after Genthe), 2018
    Constellations (Carrie Stettheimer after Genthe)
  • Virginia Jaramillo, Site: No. 15 13.5099° S, 71.9817° W, 2018
    Site: No. 15 13.5099° S, 71.9817° W
  • Gladys Nilsson, A Window #8, 2014
    A Window #8
  • Omar Ba, Promesse 3, 2014
    Promesse 3
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